So Lichtenstein: A Retrospective was SENSATIONAL – A definite go-see. And when visiting be sure to support the work of the museum by going crazy in the shop – I brought home these fun cushions and of course the book which is a complete treasure trove. There are fun homeware items (espresso cups being noteworthy) and postcards and all sorts of things which will bring those spots and colours to life in your own home.
I was really excited to find this gorgeous grey throw (the photo really doesn’t do it justice) in the shop at Cliveden for just £30, pure wool and not scratchy which is a bugbear of mine… why wrap up in something which feels like sand on wet skin?! They also have fantastic plaid woolen picnic blankets which are a steal at just £12, which must be less than the cost to make the wool, and my new favourite hostess gift item for spring (I would never accept an invitation of any sort from someone who doesn’t like picnics).
I am tempted to describe in minute detail a marble tray I saw at Skandium the other day and hanker for… but I won’t for fear of talking myself into buying it.
I am positively giddy at the news that the divine Mr David Collins is launching a furniture collection in Milan later this spring, finally bringing his uber luxe aesthetic within reach, but I’d better get saving as I doubt anything Collins has in store for us will be anything less than truly exquisite. I yearn for Mr Collins to do a book, allowing us to share his genius and apply his rules to our own rooms.
February is my least favourite month. I DO honour St Valentine and my beau will likely receive a card and a small gift (OK so admittedly I do fall occasionally for a little bit of commercialised schmaltz) but the sight of Easter eggs, bunnies and baskets proliferating in the shops fills me with barely-concealable irritation (akin to my thoughts on Christmas decorations going on sale in July) but really, February in London is somewhat dismal. Aside from the retail horror aforementioned, the grey fills me with gloom and frankly if I could live somewhere else from January to March I would.
However, had this dream been realised, I should be jetting back to Blighty about now in anticipation of a new blockbuster exhibition opening at Tate. Lichtenstein: A Retrospective could not have been scheduled more perfectly to bring welcome joy to a soupy London day.
I believe my first encounter with the artist’s work (sadly never the artist, he died in 1997) was I think at the age of 11 when I visited POP ART at the Royal Academy on a school trip. If memory serves, they had a Lichtenstein or two in the show, but sadly I can’t remember which one(s) OR indeed if I wanted to see one so much that I dreamt it and it became a memory… research into this matter will ensue I promise… but whatever moment in time I first beheld the large (huge when you’re 11) canvas, screaming with energy and primary colours all brought to order by the strong black lines and seemingly countless rows of seemingly countless dots endlessly repeating… it was a moment of awe and early appreciation for this body of work which has become among the most recognisable in all modern art. I am by no means an art historian, but the repeating dots theme has put me in mind of Kusama and her dotty takeover of Louis Vuitton in 2012.
Those wishing to own a tiny but very attractive piece from the artist’s own hand need only look to Christie’s sale in London on the 13th February… a really lovely artist’s study is coming to the market estimate £700,000-£1m.
Lichtenstein: A Retrospective opens in London on 21st February.